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Date: 2009-11-16
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CUT + RUN FOLLOWS THE LIGHT WITH THE FORD FOCUS
This latest spot for Ogilvy, showcases the attraction of the Ford Focus. "White & Orange" was directed by Vaughan Arnell of production company Serious Pictures and edited by Leo King of Cut + Run, and began airing earlier this month.
Blur Studio Reels In Animation for Goldfish Crackers Campaign
Blur Studio recently completed a ten-spot series of commercials for Pepperidge Farm Goldfish crackers via Young & Rubicam, NY. The campaign is entirely computer generated and was directed by Blur's Leo Santos.

Full Browser Flash
Using Flash CS4 and ActionScript 3 to dynamically reconfigure layout
Let's face facts, folks: sometimes just scaling your entire Flash movie to an arbitrary window size won't cut it. A prime example of one of those times would be if you're using Flash to create Web-based applications, where your users would rightfully expect to have the application interface scale intelligently to the size of their browser window. Flex Builder can do this through a simple GUI panel, but the process is a little more involved if you're using Flash CS4 Professional, which is where we'll pick things up.
Epson PowerLite 1716 LCD projector
Wireless capable with 1024x768 native resolution
The Epson PowerLite 1716 is a portable, wireless-capable LCD projector with a 4:3 aspect ratio targeted at mobile presenters and those on the go who need to present content in an effective manner. The PowerLite 1716 features a three chip Epson 3LCD optical engine that has a native hardware resolution of 1024x768, and features USB, component, and SVGA connectivity.
Multitrack Editing in Sony Sound Forge 10
Combine Sound Forge 10's Event Edit mode with its multichannel functionality into a multitrack editing application
Sound Forge has always excelled at being a solid and dependable mono and two-track recorder and editor. Version 9 of the software brought multichannel support which many people misinterpreted to mean multitrack functionality. Multichannel really means the program can handle files beyond stereo such as 5.1 surround sound files.
Diana's Top 10 Final Cut Pro 7 Features #6 - Apple ProRes Formats
Apple ProRes is not new to Final Cut Pro 7. It was introduced in Final Cut Pro 6. But with FCP 7, the ProRes family has been expanded to include 3 new-and extremely useful-formats.

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