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Date: 2010-09-06
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Some people look over the screen at their boss and think there but the grace go I. After all being the boss, the leader has to be about the easiest job in the world. What's to do? Sit around ...give orders...check the work...take the credit for succcesses, blame others for failures. Problem is it just doesn't work that way and even the best leader needs to brush up on, improve, hone his/her skills. Here are some ideas and thoughts that may help you become an even better leader than you already are.
SCRATCH 3D Workflow Helps "Les Krostons" Become Masters of the Universe
Les Krostons" want to take over the world and their impish intentions were recently revealed in a five-minute VFX-laden 3D stereo teaser, directed by Frederick Du Chau through Le Studio d'Imagination, and screened at the 2010 Cannes Film Festival. Duran Duboi in Paris harnessed the powers of ASSIMILATE's SCRATCH(r) Digital Finishing Solution in a streamlined file-based 3D stereo workflow, from set to post production, to DCP deliverables.

Digital Cinema and Data Workflows in China: An Interview with Wu Chiao, Director and Cinematographer
Well known director and cinematographer Wu Chiao is at the forefront of digital cinema in China. He has been immersed in the filmmaking process since his first day as a student of cinematography at the Beijing Film Academy. He has been the director and/or cinematographer (DP) of numerous films, setting a standard of excellence within China. George Lucas` "Star Wars II" -- the first motion picture to be shot using an HD camera -- planted the seed with Wu Chiao that quality movies...
Digital Magic Hong Kong Sets Up SCRATCH 3D and RED Workflows from ASSIMILATE
SCRATCH DI Workflow Ideal for 3D and RED Camera-Based Productions
Digital Magic Hong Kong, a leader in state-of-the-art post-production in Asia, has now established an ASSIMILATE SCRATCH digital intermediate (DI) workflow to specifically handle the conform, color grading, and finishing of RED digital cameras native R3D files, as well as 3D features shot with RED Digital Cinemas cameras. Because SCRATCH is resolution independent, it will also be used as a component of their 3D pipeline...
ASSIMILATE Expands Reach in Asia; Launches ASSIMILATE China
Rapid Rise of Digital Cinematography in China Drives ASSIMILATE to Open Beijing Office
With the rapid rise of 2D and 3D digital cinematography in China, ASSIMILATE announced today the expansion of its global sales and support organizations with the launch of ASSIMILATE China, and the opening of a main office in Beijing, China, effective immediately. ASSIMILATE Inc, with headquarters in Santa Clara, CA, has sales, service and technology teams located around the world.
RED/SCRATCH Workflow Puts Hong Place Vision at Forefront of Digital Cinema in China
Riding high on the wave of digital cinema, Hong Place Vision is the biggest rental company of RED Digital Cinema cameras in Beijing, and has built a post-production studio to meet the demand for the rapidly rising number of digital film and TV productions in China. At the hub of their data workflow and DI tool suite is ASSIMILATE's SCRATCH® Digital Finishing Solution.

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