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Date: 2010-09-17
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Zero In On One Who Says Yes (And No)
Everyone is interested in winning the big one, making a difference. It's even more important in the marketing/selling situation because you need to quickly and accurately read everyone involved in the buying decision cycle to pick out the one who makes the final buying decision.
Digital Vision's Nucoda Film Master adds drama to BBC One's Mistresses
Digital Vision has today announced that its Nucoda Film Master was used to conform and grade the new series of BBC One's Mistresses by Bristol based facility Films@59. Produced by Ecosse Films, Mistresses delves into the tangled lives of four female friends and their relationships. The first of the four-part 60 minute drama aired on 5th August.

Five Media Composer tricks you can't live without
I've been an editor for a long time, and Media Composer has been one of my tools right from the start, and over the years, I've come across some good tricks to help enhance my workflow. Some might be obvious once you see them, but others can be a little bit more "hidden". Here are five of my top five "tricks" for Media Composer.
"Piranha 3D" Screams for SCRATCH at inner-D
Using Scratch, Grant Boucher, award-winning VFX pioneer and founder of inner-D, and his team of post artists managed the 35mm 2D-to-3D conversion process, as well as the first pass color grading and finishing for director Alexandre Aja's "Piranha 3D" (2010), a Weinstein Company production.
ASSIMILATE to Showcase SCRATCH v5.2 for Finishing 3D, RED, ARRI Alexa, and Other Formats at IBC 2010
RED's Ted Shilowitz Shows 5K RED EPIC Camera at ASSIMILATE Big Screen Session
ASSIMILATE to Showcase SCRATCH v5.2 for Finishing 3D, RED, ARRI Alexa, and Other Formats at IBC 2010 - RED's Ted Shilowitz Shows 5K RED EPIC Camera at ASSIMILATE Big Screen Session - ASSIMILATE Big Screen Session Features SCRATCH Real-Time Workflows for Hot Camera Technologies from RED and ARRI
ASSIMILATE Expands Sales and Support at London Office
Real-Time SCRATCH v5.2 Boosts 3D and DI Workflows
Five years after opening its UK/European headquarters in London, ASSIMILATE is expanding its sales and service operations to better serve its rapidly growing customer base of digital cinema professionals - filmmakers, studios, post facilities, broadcasters, creative teams, and agencies - throughout the UK and Europe. ASSIMILATE has relocated to new offices in the Soho area of London to accommodate an increase in technical support staff, as well as an advanced SCRATCH v5.2 finishing suite that offers real-time digital workflows for 3D, RED MX and beyond, RED MX-3D, ARRIRAW, HD/SD, Film, DPX, AVID MXF, or any mix of formats.

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